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Torren Gatson headshot

torren l. gatson

PUBLICLY-ENGAGED SCHOLAR

Torren Gatson is an Assistant Professor in the History department at the University of North Carolina at Greensboro. A native of Delaware, he obtained both his bachelor's and master's degrees from North Carolina Central University. He went on to receive his Ph.D. from Middle Tennessee State University.

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Gatson is a trained public historian and scholar of Southern United States history. His work emphasizes nineteenth and twentieth century African American built environments, with a particular interest in African American material culture. Gatson works with communities to build lasting public products that reflect the dynamic and difficult aspects of African American history.

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CURRICULUM VITAE

Unsung Heroes'Yes, and Cafe' Podcast
00:00 / 25:31

the unsung heroes project

A collaborative project to document untold stories of the Civil Rights Movement 

Featuring Torren Gatson, Matthew Barr, and Antigre Farmer

Research and Pedagogy

history is my vocation
and my advocation

RESEARCH AND PEDAGOGY

My professional outreach mission includes providing insight into the best practices for displaying and interpreting a robust collection of primary documents. I seek to delve deeper into pedagogy and the practice of inclusivity throughout the public history field. 

curious objects podcast

Gatson’s research paints a compelling picture of skilled African American labor in the Antebellum South

PUBLICATIONS AND FEATURES

Fighting for Freedom 

University of North Carolina Press 

Teaching Public History 

University of North Carolina Press 

Fashioning America: Grit to Glamour  

University of Arkansas Press 

The Southern Quarterly

A Journal of Arts and Letters in the South

Journal of Early Southern Decorative Arts

Museum of Early Southern Decorative Arts (MESDA)

The Journal of the North Carolina Association of Historians

North Carolina Association of Historians

PUBLIC WORK AND SPECIAL PROJECTS

Blackboard

FORGING MEDIA, ARCHIVES, AND GPS

Founded in 2019, the BCDA brings together scholars, students, museums and archives professionals and the public to collaborate and spread the story of Black craftspeople. The BCDA originally began as a project founded by Dr. Tiffany Momon and inspired by her research into John “Quash” Williams, an enslaved and later free Black master carpenter responsible for the carpentry and joinery work on the c. 1750 Charles Pinckney Mansion in Charleston, South Carolina. Momon’s research into Williams led to a map tracing Williams’s life around Charleston. Soon, that map incorporated places associated with the enslaved Black craftsmen who aided Williams in the construction of the Pinckney Mansion. By Fall 2019, the project expanded to include more Black craftspeople in Charleston involved in a variety of trades. The archive continues to grow daily.

Teaching Philosophy

TEACHING PHILOSOPHY

When I first began studying history in college, my knowledge of how to investigate and write historically was minimal. I often approached history from a genealogical or familial basis. Through my undergraduate tenure, I learned how to construct an effective historical argument that positioned the significance of history within a contemporary framework. Thus, my teaching style aims to evoke in students the same enthusiasm for discovery and achievement that I felt when I realized the diversity and cultural overlap within American history. 

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Teaching United States history and public history is often thought to require different instruction methods. However, I present students with various examples of how to use material culture to examine historical events for a more nuanced depiction of the past. Ultimately, I want my students to make connections. To achieve this goal, the classroom in some instances must become the world we live in. I regularly have my students engross themselves in the public realm of history by visiting historic sites, cultural centers, and museums to situate their understanding of history in context with how the public views those same representations of the past. These interactions outside of the classroom also reinforce an understanding of the cause and effect of cultural and historical landscapes. As a student of public history, it is my job and my passion to bridge the gap between students appreciating and viewing changes in physical, cultural, and economic systems over time. 

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COURSES TAUGHT

digital history

This course introduced the fields of digital history and humanities with a particular focus on how digital history can serve public historians.

african american

citizenship

Covering the period of enslavement through the Black Freedom Struggle, this course hones in on key moments in American history that have shaped and crystallized African Americans quest for citizenship.

museum and historic site interpretation

This course comprised the first of a three-semester sequence that introduced students to the practices and scholarship of public history and skills that will help them thrive professionally.

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DIGITAL STUDY BOOK

NO LONGER YOURS: SLAVERY AND FREEDOM SEEKING IN NORTH CAROLINA

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This project seeks to provide readers with a grounding and synthesis of the slave experience in North Carolina. It was achieved by weaving primary and secondary sources together and by framing the topics of the slave experience to elements. For instance, the earth chapter focuses on family and labor dealing with the earth, or the wood chapter focuses on skilled enslaved people and the labor using trees. 

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The material is based upon work in partnership with Dr. Brian Robinson, Dr. Rhonda Jones, and Dr. Arwin Smallwood. Research was assisted by a grant from the Association for the Study of African American Life and History (ASALH), funded by the Department of Interior, National Park Service. 

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