SOCIALS
torren l. gatson
PUBLICLY-ENGAGED SCHOLAR
Torren Gatson is an Assistant Professor in the History department at the University of North Carolina at Greensboro. A native of Delaware, he obtained both his bachelor's and master's degrees from North Carolina Central University. He went on to receive his Ph.D. from Middle Tennessee State University.
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Gatson is a trained public historian and scholar of Southern United States history. His work emphasizes nineteenth and twentieth century African American built environments, with a particular interest in African American material culture. Gatson works with communities to build lasting public products that reflect the dynamic and difficult aspects of African American history.
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the unsung heroes project
A collaborative project to document untold stories of the Civil Rights Movement
Featuring Torren Gatson, Matthew Barr, and Antigre Farmer
history is my vocation
and my advocation
RESEARCH AND PEDAGOGY
My professional outreach mission includes providing insight into the best practices for displaying and interpreting a robust collection of primary documents. I seek to delve deeper into pedagogy and the practice of inclusivity throughout the public history field.
curious objects podcast
Gatson’s research paints a compelling picture of skilled African American labor in the Antebellum South
PUBLICATIONS AND FEATURES
Fighting for Freedom
University of North Carolina Press
Teaching Public History
University of North Carolina Press
Fashioning America: Grit to Glamour
University of Arkansas Press
Journal of Early Southern Decorative Arts
Museum of Early Southern Decorative Arts (MESDA)
PUBLIC WORK AND SPECIAL PROJECTS
TEACHING PHILOSOPHY
When I first began studying history in college, my knowledge of how to investigate and write historically was minimal. I often approached history from a genealogical or familial basis. Through my undergraduate tenure, I learned how to construct an effective historical argument that positioned the significance of history within a contemporary framework. Thus, my teaching style aims to evoke in students the same enthusiasm for discovery and achievement that I felt when I realized the diversity and cultural overlap within American history.
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Teaching United States history and public history is often thought to require different instruction methods. However, I present students with various examples of how to use material culture to examine historical events for a more nuanced depiction of the past. Ultimately, I want my students to make connections. To achieve this goal, the classroom in some instances must become the world we live in. I regularly have my students engross themselves in the public realm of history by visiting historic sites, cultural centers, and museums to situate their understanding of history in context with how the public views those same representations of the past. These interactions outside of the classroom also reinforce an understanding of the cause and effect of cultural and historical landscapes. As a student of public history, it is my job and my passion to bridge the gap between students appreciating and viewing changes in physical, cultural, and economic systems over time.
COURSES TAUGHT
DIGITAL STUDY BOOK
NO LONGER YOURS: SLAVERY AND FREEDOM SEEKING IN NORTH CAROLINA
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This project seeks to provide readers with a grounding and synthesis of the slave experience in North Carolina. It was achieved by weaving primary and secondary sources together and by framing the topics of the slave experience to elements. For instance, the earth chapter focuses on family and labor dealing with the earth, or the wood chapter focuses on skilled enslaved people and the labor using trees.
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The material is based upon work in partnership with Dr. Brian Robinson, Dr. Rhonda Jones, and Dr. Arwin Smallwood. Research was assisted by a grant from the Association for the Study of African American Life and History (ASALH), funded by the Department of Interior, National Park Service.